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Twenty-five years ago, six semi-trucks arrived at The Ohio State University. They contained the world’s most comprehensive collection of newspaper comic strips and cartoons, totaling 75 tons of material. Bill Blackbeard, a comics historian, and collector, had amassed this vast and unparalleled collection in his San Francisco home starting in 1967. Discarded by libraries in favor of microfilm, these invaluable historical documents provide a unique view of popular culture at the start of the 20th century, when illustrated newspaper pages and comic strips were at the heart of visual culture and communication. Blackbeard’s heroic efforts to rescue and preserve this material are celebrated in this exhibition, as well as an exploration of the process for printing turn-of-the-century newspapers.

At a time of eroded public faith in traditional news media, comics journalism has emerged as a powerful antidote to disinformation and fake news. Practitioners in this field cover news or nonfiction events using the framework of comics, re-asserting the ethical value of truth-telling, while at the same time highlighting the subjectivity of news coverage in an immediate and accessible way. As such, the best works of comics journalism stand as compelling examples of how the news might be reimagined as an artistic practice.

This permanent exhibit features a selection of exceptional artwork and artifacts highlighting the breadth and depth of our collections.

Pioneering father/daughter cartoonists Brumsic Brandon, Jr. (1927– 2014) and Barbara Brandon-Croft (1958– ) chronicled the nation’s cultural landscape in their comic strips through the lens of racism. The elder Brandon, who created Luther in the late sixties, and was later syndicated by the Los Angeles Times Syndicate until 1986, was also known for his blistering editorial cartoons. Where I’m Coming From is the work of his youngest daughter, the nation’s first Black woman cartoonist in the mainstream press; it debuted in 1989 in the Detroit Free Press. Universal Press Syndicate later distributed her provocative feature until 2005. For six decades, their respective pens lay bare the truth: Nothing has changed. This retrospective reveals how vividly the specter of racism remains in America… STILL.  

This exhibition originated at Medialia Gallery in New York City. The Ohio State University’s installation will include original Luther cartoons from the Brumsic Brandon, Jr. Collection at the Billy Ireland Cartoon Library & Museum. STILL is curated by Tara Nakashima Donahue. 

Save the Date: Opening reception and program with Barbara Brandon-Croft and Tara Nakashima Donahue at the Billy Ireland Cartoon Library & Museum on Saturday, May 21, 2022.

Charles M. Schulz, known as Sparky to his family and friends, single-handedly created 17,897 Peanuts comic strips during a span of almost fifty years. At the time of Schulz’s retirement in 1999, his creation ran in more than 2,600 newspapers, was translated into twenty-one languages in seventy-five countries, and had a daily readership estimated to be 355 million. Peanuts became a worldwide cultural phenomenon in the second half of the twentieth century. Its impact can be seen on everything from space travel and classical music to the Broadway stage, merchandising, and even the English language. 

This exhibition celebrates the centennial of Schulz’s birth and highlights the lasting legacy of his life and work. Schulz’s own words guide visitors to explore the themes of friendship, connectedness, unrequited love, and insecurity that made the strip resonate with so many fans. 

Celebrating Sparky is curated by Lucy Shelton Caswell and mounted in partnership with the Charles M. Schulz Museum and Research Center in Santa Rosa, California, which is spearheading the international Schulz centennial celebration.

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