Past Exhibits

  • Will Eisner:  75 Years of Graphic Storytelling Will Eisner: 75 Years of Graphic Storytelling August 16, 2014 - November 30, 2014

    Image:  Will Eisner, “The Spirit”, October 9, 1949, Spirit Weekly page 1. Will Eisner Collection, The Ohio State University Billy Ireland Cartoon Library & Museum. THE SPIRIT and WILL EISNER are Registered Trademarks of Will Eisner Studios, Inc. Reprinted with permission.

    It is nearly impossible to discuss the history of American comics without mentioning the name Will Eisner. On August 16, the Billy Ireland Cartoon Library & Museum will open a new exhibit entitled Will Eisner: 75 Years of Graphic Storytelling, highlighting works from the library’s holdings. The show will feature original art from some of Eisner’s greatest works including The Spirit, Contract With God, Dropsie Avenue, Last Day in Vietnam, and The Plot, as well as rarely-seen selections from his student days, his early work as a commercial artist, and his comics for the military. As a key figure in the birth of the comics industry in the 1930s and the rise of the graphic novel in the 1980s, Eisner influenced—directly and indirectly—everyone involved with graphic storytelling, as an artist, an editor, an entrepreneur and an educator. This exhibit explores the range of Eisner’s work spanning nearly eight decades and documents his impact on the development of comics over the past century.

  • The Long March: Civil Rights in Cartoons and Comics The Long March: Civil Rights in Cartoons and Comics August 16, 2014 - November 30, 2014

    Image: Karl Hubenthal. In the March, March 26, 1965. Karl Hubenthal Collection.

    In celebration of the 50th anniversary of the Civil Rights Act of 1964, the Billy Ireland Cartoon Library & Museum presents The Long March: Civil Rights in Cartoons and Comics. The exhibit presents the story of the Civil Rights Movement and its impact through original editorial cartoons, comic strips, and comic books drawn from the Billy Ireland Cartoon Library & Museum’s collections. It will also include artwork drawn by Nate Powell, for March, Congressman John Lewis’s graphic memoir, a New York Times Bestseller co-written by Andrew Aydin, about his experiences as a leader and activist in the movement. The exhibit explores the tensions, struggles, and victories from multiple perspectives, including mainstream daily newspapers and the black press.

  • Eye of the Cartoonist: Daniel Clowes's Selections from Comics History Eye of the Cartoonist: Daniel Clowes's Selections from Comics History May 17, 2014 - August 3, 2014

    Image: Chester Gould, Dick Tracy, May 29, 1960. Chester Gould Collection.

    Take a look through cartoonist Daniel Clowes’s incredibly informed, sometimes surprising historical perspective. Ohio State’s Billy Ireland Cartoon Library & Museum is the world’s largest repository of cartoon art. To complement his survey concurrently on view, we invited Clowes—who, like many cartoonists, is a great student of his field’s history—to collaborate with the museum’s curators in presenting an exhibition of work by past greats whom he admires or considers influences. In works such as the comic book anthology series Eightball (1989–2004) and the graphic novel Wilson (2010), Clowes illustrates in a wide spectrum of styles that often incorporate, adapt, and comment on touchstones from comics history. Drawing from the museum’s collection, the work on view in this exhibition at the Wex illuminates Clowes’s range, encompassing Chester Gould’s hard-boiled detective strip Dick Tracy, the minimal elegance of Otto Soglow’s The Little King, the Art Nouveau–inspired fantasias of Winsor McCay’s Little Nemo in Slumberland, the action-adventure stories of Terry and the Pirates (created by Ohio State’s own Milton Caniff), and even the ever-popular Peanuts by Charles Schulz.

  • Exploring Calvin and Hobbes Exploring Calvin and Hobbes March 22, 2014 - August 3, 2014

    Image © Bill Watterson.

    Exploring Calvin and Hobbes revisits the beloved comic strip created by Bill Watterson from 1985-1995. The exhibition will feature original Calvin and Hobbes dailies and Sundays as well as specialty pieces by Watterson from his collection of more than 3,000 originals housed at the BICLM. This is only the second exhibition devoted to Calvin and Hobbes, which appeared in 2,400 newspapers worldwide at the height of its popularity. Watterson won the National Cartoonists Society’s prestigious Reuben Award for “Outstanding Cartoonist of the Year” in both 1986 and 1988.

    Six-year-old Calvin, named after the 16th-century theologian John Calvin, has a vivid imagination; an aversion to homework, chores, and girls; and a penchant for discussing the meaning of life. Hobbes, named for the 17th-century British philosopher Thomas Hobbes, appears to most of the strips’ characters as a stuffed animal, but from Calvin’s perspective, he is a living, breathing—sometimes even dangerous—tiger. He’s also a best friend, a playmate, a co-conspirator, and occasionally the voice of reason. The strip follows the two as they navigate the bumpy ride of life, surrounded by a supporting cast that includes Calvin’s parents, his neighbor Susie, his babysitter Rosalyn, the school bully Moe, and his teacher, Mrs. Wormwood.

  • The Irresistible Force Meets the Immovable Object: A Richard Thompson Retrospective The Irresistible Force Meets the Immovable Object: A Richard Thompson Retrospective March 22, 2014 - August 3, 2014

    Image © Richard Thompson.

    Richard Thompson, the 2011 winner of the Reuben Award for “Outstanding Cartoonist of the Year,” will be featured in the exhibition, The Irresistible Force Meets the Immovable Object: A Richard Thompson Retrospective. This exhibit, curated by Caitlin McGurk, will not only include gorgeously hand-watercolored Sunday originals and black-and-white dailies from Thompson’s popular comic strip Cul de Sac, but will celebrate his lesser-known abilities as a master of caricature, gags, and editorial cartoons— both as cartoonist and painter.

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